Get the film and you will see what I'm referring to if you disagree, say so in your review.Ĩ0% of the film seems to be a riff on the hip-hop video aesthetic (never mind the fact that the director greatly defined the recent shape of this aesthetic) and myth. Even more important, the compositions are never created for their own sakes, which was my initial criticism the first time I saw it - they really do propel the film. I can enumerate a list of techniques he used here, but that will be an exercise in boredom for today's cyber-nauts. The director has a striking style, and besides that, he is PRODIGIOUS - there appears to be no end to the ways that he can make his compositions rich in visual entertainment and information. In all honesty, the first time I watched this film, I actually turned the volume down - I was enraptured by the way each scene was composed on the frame.
The viewers others comments can stand for themselves. Note that the viewer didn't even attempt an understanding of the title "Belly," which was the central theme of the film. Either the viewer likes being spoon-fed his films, or was not paying attention. Reviewed by wilsonasillson 9 / 10 Brilliant
#The killing danish torrent movie
I think within it lies the future of both the gangster movie and the musical. Its a shame this film was so overlooked by critics. The dancing in Jamaica, the shootout in the strip club in Omaha, the opening sequence, the climax with the reverend where the issues that the film may be exploiting are addressed and in my eyes therefore considerate. The cinematography is stylized and beautiful. The music is great, notably the D'Angelo's "Devil's Pie" that shows crime being played out.
The acting is respectable, and I didn't see the movie as a piece of media to exploit the careers of its stars, I found it to be a good piece of cinema that legitimizes Nas, DMX, Method Man, Taral Hicks, and Tionne Watkins as actors. It has dazzling visuals, and a respectable plot that borrows from "Scarface" among others. "Belly" has this, and more style than I have seen in any movie in recent years. Critics of this film should look to its film roots - film noir - movies that grow from the underground crimeworlds in America, that pleasure us with their money schemes, guns, and drug use. I was mesmerized by "Belly" from the opening sequence of choreographed violence and music. I was right, but what I didn't expect was for it to be so good. I expected "Belly" to be a self-indulgent, expanded version of the gangster rap videos that gave Hype Williams the power in Hollywood to make a feature film. Reviewed by GoatPoda 9 / 10 A noir musical for the new millennium. I don't usually insinuate things like this, but I have to wonder if a racial aspect is at play here, that maybe xenophobia deflected a lot of critics from giving this one a chance. Unfortunately, with the unfavorable judgment from up on high that this film received, I doubt anyone will read these words. If you're a fan of these kinds of movies, give this one a chance. Why does it seem that film critics love neo-realism if its 'white', but usually hate it otherwise. Why did critics hate this? Why do they in general hate movies like this? The film immediately reminded me of "The Harder They Come", "Pusher" (Nicolas Winding Refn's fantastic Danish film), "Laws of Gravity", "Kids", "Clerks", "Mean Streets", "Zebrahead", "The Killing of A Chinese Bookie", "Boogie Nights", "Rome, Open City" and "The Bicycle Thief".
I have insomnia, see what's on TV, check the rating (1 star out of 4) and almost pass it by, but decide to watch it for the camp value. I really get p***ed off at movie critics sometimes.
Reviewed by JPhish 10 / 10 Derivative, but fantastic, see it Sincere begins getting in touch with his African roots and tries to convince his girlfriend Tionne that they should emigrate to the Motherland, while Tommy has a religious awakening and joins the Nation of Islam. Tommy and Sincere have been able to move out of the ghetto in Queens where they were raised and relocate to an upscale section of Manhattan they would seem to have it made, but both realize that their lives are headed toward a dead end.
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Tommy Brown and his friend Sincere are gangsters who have learned how to make a good living by dealing drugs and pulling armed robberies.
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